Coti Meier and Lauren Seider

Wednesday, January 31 to Sunday, April 22, 2018

Come see the work of collagist Coti Meier and illustrator Lauren Seider, two Kansas City artists whose different approaches to their art compliment each another. This joint exhibition can be seen at the Corinth Library until April 22. 


What comes first – the medium or the message? Tell me a little about the work that will be on view.

Meier: For my work, the medium and the message go hand in hand.

My work is made up of drawing and collage based on studies of everyday things, people and happenings. I work in multiple mediums to create my images, working in a method of layers; using paint, scraps of paper, graphite, found images, and ink. It is quirky, incorporating humor by placing things that I hear and see into my work to tell personal, relatable stories.

Seider: Most of the time the message comes first. As an illustrator, the images I make almost always tell a story, and so I take idle daydreams seriously just in case they present themselves over and over in my head as a story that really needs to be told. I then consider what medium is best suited for bringing that story to life through color, texture, and form. Other times, I discover the stories and messages I want to tell through explorations with medium that begin without any particular focus, finding a direction or story along the way. I think of it like stumbling across something backwards; stepping through the back door of a story and ending up in the thick-of-it without realizing how you got there!

What do you feel is your role as an artist?

Meier: My role as an artist is to show humor and observation through my art for people to enjoy and relate to.

Seider: Partway through high school, when I first truly decided I wanted to go down a path as a creative professional, I wrote a heart-filled manifesto about what I wanted my art to do; it was something pretty cheesy about reminding others about how good the world can be. I might be critical of what I wrote now from a (just slightly) more experienced position, but I truly do think that manifesto still stands as a marker of my artistic focus. I want the art I create and the things I do in all facets of life as an artist to serve positively those who come in contact with me and with my work. I want to highlight small things often forgotten or overlooked, make places of stillness and reflection, point out the possible extraordinary future, create from a place of optimism; and as members of the Yellow Raincoat Society would say, fight the gloom!

What influences your practice/works?

Meier: Things that I hear and see around me have a large influence on my work. Often times I’ll be out and about and see something that catches my eye. I’ll take a photo of it for reference later and most times those things end up in my work. I also write down things I hear from conversations that I think are interesting or entertaining to later incorporate as well.

Seider: On the surface: My fascination with color and the ability of color to influence narrative is a big factor in the materials I use, as well as a love of pattern, texture, and playful experimentation.

Looking beneath the surface: My work is influenced by those things truly important in my life: my faith, my friends, my family. The people, ideas, and histories I surround myself with are what I borrow from and recall in the works I make and the stories I weave through them

Who are the other artists you look to for inspiration? And what about their works do you like?

Meier: There are multiple artists that have inspired me over the years, two for sure are, Lauren Simkin Berke and David Fullarton. They both incorporate collage and ordinary life into their works. For David, I enjoy the humor he incorporates into his work with text and illustration combined to tell a story. Lauren draws with pen and ink a lot of the time with a very defined style that I enjoy and have similarities in my work as well.

Seider: I draw a lot of visual inspiration from Early Medieval Christian art, the Renaissance artist Pontormo, Henri Matisse, and Louise Bourgeois-- just a few names from a very long list. I also am constantly keeping up with and being inspired by current working editorial and book illustrators, some favorites of mine being Jillian Tamaki, Lisk Feng, Monika Forsberg, and Isabelle Arsenault.

I also draw much inspiration from the works of young adult/juvenile fiction authors such as Madeline L'Engle and Diana Wynne Jones, whose books represent a genre of literature I find really fascinating and foundational to the work I have done with The Yellow Raincoat Society.

What other writings do you recommend reading to have a better understanding of your artworks and your art practice/process?


Masters, Collage: Major Works by Leading Artists

Once Upon A Piece of Paper, A Visual Guide to Collage Making By Andrea D’Aquino

Beautiful Oops! By Barney Saltzberg

Ladies Drawing Night By Julia Rothmans


Perhaps not directly related to my work, but Madeline L'Engle's A Wrinkle in Time, Antoine de Saint-Exupéry's The Little Prince, and Paolo Coelho's The Alchemist stand for me as some of the most powerful stories, and I can only dream and work as hard as I can to one day try and tell a story as superb.