A camera looks up at the sky as seagulls follow a fishing boat for the detritus left behind. Then the image topples. Birds are upside down, the water rushing above them. None of this is unusual within the context of Leviathan, which says a lot about how well the filmmakers prepare us to see the world reversed.
Leviathan was made at the sensory Ethnography Lab at Harvard University, and its filmmakers, Lucien Castain-Taylor and Verena Paravel, both have backgrounds in art and photography. Coming at filmmaking with an arts outlook, they’re inclined to veer away from the mainstream and push